Showing posts with label Gone with the Wind(1939). Show all posts
Showing posts with label Gone with the Wind(1939). Show all posts

Sunday, October 11, 2015

Predator (1987)

Overview:-

IMBD Rating:7.8


Review:-

Predator is the classic action film. What makes it so unique is that the story starts off as a simple but exhilarating rescue mission; but then it suddenly switches gears and becomes a fight for survival for everyone involved. The genius of that! The cast is wonderful; Arnold as Dutch was very convincing and commanding, yet humbled and low-key in his performance. The only way you would know that he's the star is that his face is on the cover, he's the leader of the group, and he survives at the end. He was 'one of the crew' instead of a one-man wrecking machine like in so many of his other films; that was very nice to see. Carl Weathers turns in a good performance as Dillon, as does Bill Duke as Mac, Jesse Ventura as Blain and Sonny Landham as Billy. The whole cast worked very well together. 


The one thing that still astonishes me to this day, 16 years later, is indeed the Predator. The special effects in this film was very much ahead of its time, the camouflage was pure genius. I still can't believe my eyes when I see the camouflage effects; it blows me away that even now in 2003 it could sit alongside the FX seen in TODAY'S films with no shame. I'm waiting for Fox to put out a special edition DVD with behind the scenes footage explaining how the Predator was done; from the effects with its sight and the beautiful camouflage, to the suit. I caught a little snippet of a behind the scenes feature on AMC or Bravo, and ever since I've been anticipating its inclusion on a new DVD (WHAT'S TAKING SO LONG?!??!) 


Predator is evidence of how action films should be done. A great story and relentless action, all progressing the story along. A timeless classic, one of the best films of all time.

RoboCop 2 (1990)

Overview:-


After a successful deployment of the Robocop Law Enforcement unit, OCP sees its goal of urban pacification come closer and closer, but as this develops, a new narcotic known as "Nuke" invades the streets led by God-delirious leader Cane. As this menace grows, it may prove to be too much for Murphy to handle. OCP tries to replicate the success of the first unit, but ends up with failed prototypes with suicidal issues... until Dr. Faxx, a scientist straying away from OCP's path, uses Cane as the new subject for the Robocop 2 project, a living God.

IMBD Rating:5.7


Review:

"RoboCop 2" , the sequel to 1987's ultra-violent "RoboCop", is not quite up to par with its predecessor. The film still manages to entertain on a large level. I know that a lot of people do not like this movie, but I personally think it is still pretty good. I'm not writing a review of this movie, I am just expressing my thoughts on it.

First off, this movie is a lot more violent than the first "RoboCop". You get scenes of bloody shootings, grisly scenes of torture, and a surgery which I'd rather let you see for yourself than describe here. Paul Verhoeven does not return to shock his audience with graphic violence and ultra dark humor, which has since become trademark in his films. The director this time is Irvin Kershner, who made "The Empire Strikes Back" nearly ten years before this movie. Kershner seems to focus a lot more on action, rather than story. 

Second, the movie's villain, Cain (Tom Noonan), to me is a direct opposite of Clarence Boddicker (the villain from the first film who was played by Kurtwood Smith). Cain enjoys giving people pleasure (through his highly addictive designer drug called Nuke) while Boddicker was a sadist who took pleasure in the death and suffering of others. (Though after Cain's "transformation", none of this really matters). 

Lastly, this movie does not exploit children. The kid in this movie, Hob (played by Garbriel Damon) is Cain's twelve year-old side kick. He is a violent, foul-mouthed little child who runs errands for Cain. The writers for this movie did this intentionally, to show that crime holds no age barrier. Regardless of age, crime is crime. 

Like I said, "RoboCop 2" is not trying to be better than its predecessor, it's just trying to be something different.

RoboCop (1987)

Overview:-


Detroit - in the future - is crime-ridden and run by a massive company. The company has developed a huge crime-fighting robot, which unfortunately develops a rather dangerous glitch. The company sees a way to get back in favor with the public when policeman Alex Murphy is killed by a street gang. Murphy's body is reconstructed within a steel shell and called RoboCop. RoboCop is very successful against criminals and becomes a target of supervillian Boddicker.

IMBD Rating:7.5

Review:

The success of this movie can be credited to one man; Paul Verhoeven. His special touch of violence, gore and social satire make the movie more than just your average B-movie, with a lame title and simple story and characters. Yes, without Verhoeven this movie seriously would had been nothing more like another B-movie on par with science-fiction/action movies like "Timecop" and Albert Pyun movies.

The main story of "RoboCop" itself is simply and not that complex, however Verhoeven manages to put many different layers for the story as well as the characters in the movie. The social satire in the movie works out brilliantly and is what makes the movie perhaps more entertaining than thrilling or tense. Especially those typical Verhoeven news sketches are brilliant! But also those who will not be able to understand or fully appreciate the social satire elements in the movie, will have plenty to enjoy while watching this. The action itself is top-class and the characters are fun as well as cool. RoboCop himself looks awesome, both in his movements and the way his costume looks. Oh and of course I may not forget his awesome gun!

The movie is not only filled with some typical Verhoeven social satire elements but also with some trademark Verhoeven gore and violence. The way Murphy gets killed is very graphic and disturbing. But as always in most Verhoeven movies is the case, the violence is so over-the-top that it's not really shocking to look at but almost more comical like because it's just so over-the-top. Especially what happens to Emil at the end, the gore is way over-the-top there and I absolutely love it!

In a movie like this the characters are also always important. Especially the villains and yes, "RoboCop" has some highly entertaining and good villains. The group of Clarence, Leon, Joe and Steve are a bunch of entertaining, charismatic stereotypical villains. But also the more educated villains like Dick Jones (Ronny Cox) and Bob Morton (a very young Miguel Ferrer) who also isn't a very nice person. But also the mechanical villain ED-209 is extremely cool and dangerous looking. The stop-motion effects for him are of course heavily outdated this days but it takes away nothing of his threatening appearance. All of the character are entertaining and well developed. Characters also worth mentioning are The Old Man (Dan O'Herlihy) who plays the president of OCP and you can tell by his face gestures that he's not very pleased with the direction Dick Jones is heading towards with the company and Johnson who is always smiling. And of course let's not forget Bixby "I'd buy that for a dollar!" Snyder, he's a real classic! They should given that guy a real show on TV.

Also the musical score by Basil Poledouris is what helps to make this movie a very memorable one. Poledouris delivers one of his best works. When will he finally get some more attention from the big awards? He has made some great stuff but he rarely has won anything of importance with it. A bit of a disgrace for such a wonderful composer.

All in all this is a brilliantly entertaining science-fiction/action movie that simply is perfect in every way, mainly thanks to Verhoeven his input.

Friday, October 9, 2015

Gone with the Wind (1939)

Overview:-


Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army carrying off everything from her beloved Tara, the carpetbaggers who arrive after the war. Scarlett is beautiful. She has vitality. But Ashley, the man she has wanted for so long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie.

IMBD Rating:8.2

Review:-

The setting is a Georgia plantation. The year is 1861, and sixteen-year-old Scarlett O'Hara is infatuated with the blond, drowsy-eyed Ashley Wilkes - the problem is, Ashley plans to marry another woman. Little matter that every other man in the county is courting Scarlett and that a charming scoundrel named Rhett Butler is staring at her with questionable intent - she cares only for Ashley.

Suddenly, the Civil War brakes out, changing the fates and fortunes of all. Scarlett, clever, manipulative, and charming, proves an adept survivor - but what will she have to do to survive? And will she ever learn whom it is that she really loves?GWTW is one of the most meticulously cast films ever; with the possible exception of Leslie Howard as Ashley (in his forties, rather old to be playing a man half that age), every role was perfectly assigned. After you watch Vivien Leigh you will be unable to imagine anyone else playing Scarlett, and Hattie McDaniel's strong, unforgettable performance as "Mammy" netted her an academy award (the first for an African-American actor).
                       

GWTW's backdrop is the gruesome Civil War, and in the end this film is the story a woman and a civilization (the Old South) going through a war that will not leave either of them unchanged.The cinematography is beautiful, memorable. Gone With the Wind was shot entirely in gorgeous technicolor; the scene of the fire in Atlanta required the use of all eight technicolor cameras in existence at the time.The pragmatic may think Gone with the Wind overly dramatic; the restless may find it too long; the action-stimulated, too subtle. None of this, however, detracts from the fact that GWTW retains a lasting appeal as one of the crowning cinematic achievements of the 20th century. Those who see its ending as depressing - tragic, even - perhaps miss the point - which Scarlett O'Hara makes in her very last instant with us, tear-stained eyes uplifted in a sudden, curious burst of hope beneath all the turmoil; that .. . "After all, tomorrow is another day."
              

Did you like Gone with the wind?